Poster Sessions

Monday, March 17
11:30a.m.–1:00p.m.

Tuesday, March 18
12:00 noon–1:00 p.m.

Rochester Lobby (3rd Floor)


Beyond the Notes: Fostering Curiosity and Engagement Through Music History in Private Lessons

  • Devon Gregory Shifflett

Brazilian Polkas: Teaching Chiquinha Gonzaga’s Polkas for Piano

  • Kiri McMann

Bridging Aural and Reading Skills: A Pilot Study on the Impact of Aural and Reading Skills on Sight-Reading Performance in Collegiate Group Piano Classes

  • Sarah Jenkins, NCTM

Cecile Chaminade’s Musical Gems: Unveiling the Pedagogical Treasures of Album des Enfants, Op. 123

  • Isis Cardoso

The Collaborative Ensemble Choral Model for Mental Health in Adolescent Females

  • Catherine Grimm

Conformity, Loss, Guidance and Relief: What Do Chinese Adolescents Derive from Music? A Literature Review

  • Zaiyang Xu

Connecting Training to Practice: Enhancing Relevance of Class Piano Education for Future Choral Music Educators

  • Leonidas Lagrimas, NCTM; Jenny Park

A Comparison of Self-Reported Anxiety and Depression Among Music Majors and Non-Music Majors: A Current Perspective

  • Danni Gilbert

A Cross-Cultural Sound Experiment: John Cage’s Prepared Piano in Dialogue with Eastern Music Philosophy

  • Luying He

Discovering Piano Sonata in C Major by Joseph Bologne le Chevalier de Saint-Georges

  • Hyunjung Rachel Chung

Exploring Pedagogical Piano Works by Taiwanese Composers

  • Sabrina Jean Watson

An Examination of Collegiate Piano Faculty’s Experiences Teaching, Beliefs About and Confidence in Selecting and Teaching Literature by Diverse Composers

  • Jenna Klein Young

The Folk Influences on the Piano Works of Manuel M. Ponce

  • Alexandro Aguilar

From East to West: Introducing Piano Solo Works by Chen Yi from Intermediate to Advanced Levels

  • Danlei Yang

Harry Thacker Burleigh—Bringing Spiritual Romanticism to American Classical Tradition

  • Connor Breaux

Ideology of Perfection: Battling Performance Anxiety Through Sports Psychology

  • Angela Lin

Incorporating Aural-Centered Teaching with Traditional Piano Pedagogy: An Adaptive Approach to the Faber Method

  • Dasol Um

Incorporating Symbolic Play in Early Childhood Piano Teaching—Using the Example of Teaching Grand Staff and Note Values

  • Jiaxuan Lily Wang

Innovating Piano Instruction: Inclusion in Piano Lessons Through Brazilian Music

  • Helber Fernandes Ribeiro

Luis Humberto Salgado, Traditionalist and Modernist of Ecuadorean Music

  • Francis Yang, NCTM

Navigating Sensory Processing Disorder in Music Education

  • Lindsay Bastian; Svetlana Eminova; Nora Mello, NCTM; Jessica Elicia Sutadji; Carlie Toliver; Oscar Verdeal; Hanqiu Xu; Kaitlynn Yardley

A New Liberation: Reviving the Works of 18th-Century Women Composers

  • Alissa Freeman

Piano Keys to Creativity: Cultivating Musicianship with Early-American Popular Music

  • Phu Vu

Sight and Sound: A Piano Method Book Combining Photography and Music

  • Juan Sebastian Avendano

“Symphonic, Like a Piano Concerto”: A Fusion of Piano and Electronics

  • Yu Han