Spril 2025 MTNA e-Journal
Envisioning a Future Musical Self: Identities of Dropout
and Continuing Adolescent Piano Students
By Karen Gerelus
It might be said that everyone has a musical identity. What does the
ability to envision a future musical self do to change the musical experiences
in the present? This publication presents results from two
separate but related studies. Study 1 used quantitative methods to
investigate 55 former piano students who had dropped out of lessons
and found these students had a significantly more limited scope of
how long they would be involved in music as well as a limited ability
to envision their future musical selves. Study 2 used qualitative methods
to investigate four students who were enrolled in piano lessons
with intentions to continue and found these students had a deeper
understanding of themselves as musicians as well as the purpose of
music in their lives both now and in the future. The results suggest the
dropout students could not develop a long-term vision of themselves
as musicians, while continuing students had a much better sense of
how music fit into their identity.
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Poster Sessions
24Intersections: Piano Variations and Practice Know-How
as Teaching Strategies for Piano Technique Development
By Samuel E. Pang
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Modern Marketing: 21st-Century Tools for the
Independent Music Teacher
By Lindsay Bastian; Nora Mello, NCTM; Manuel Muñoz; Karolina Rimskyte; Joseph Snipes; Hanqiu Xu; and Vincent Yang
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Current Research
An Index of Graded Piano Repertoire to Support
Undergraduate Music Theory and Secondary Piano
Sequences
By Jesse Pierson
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Strategies for Performing Pierre Boulez’s Douze
Notations
By Er-Hsuan Li
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